Most digital audio systems encode analog — the sound we hear — into digital for storage and transmission using a system called Pulse Code Modulation. Two factors determine the quality of a digital recording: bit depth and sampling frequency. The sampling frequency affects the audio frequency range — from the lowest to highest pitch — able to be stored.
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16-bit audio is fine for everyone
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The standard is defined in the Red Book , one of a series of Rainbow Books named for their binding colors that contain the technical specifications for all CD formats. The Red Book specifies the physical parameters and properties of the CD, the optical parameters, deviations and error rate, modulation system eight-to-fourteen modulation , EFM and error correction facility cross-interleaved Reed—Solomon coding , CIRC , and the eight subcode channels. The standard also specifies the form of digital audio encoding 2-channel signed bit Linear PCM sampled at 44, Hz. Although rarely used, the specification allows for discs to be mastered with a form of emphasis.
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After years of niche positioning in the music world, "high-resolution audio" or "hi-res audio" has finally hit the mainstream, thanks to a huge raft of support in recent years in streaming services such as Amazon Music HD and products from smartphones to most digital hi-fi components. So why should you care about hi-res audio? If you want the best digital music experience possible or at least better sound quality than you're currently used to and why wouldn't you? It can be a daunting prospect. After all, what exactly constitutes hi-res audio, what do all the different file formats and numbers mean, where can you download or stream these high quality files, and what devices do you need to play it? That's where we come in. Our handy guide will take you through the ins and outs of hi-res audio. By the end, we hope you'll know everything you need to know and then some and will be well on your way to enjoying your new and improved sonic lifestyle.
Everybody wants great audio, but sometimes our quests for improvement lead us down some really dark and… dumb … corridors. As it is with many disciplines, with music a little knowledge goes a long way. To understand what the limit of human perception is for sample rates, we need to identify three things:. Sounds simple enough, and it is. The most common range of human hearing tops out at about 20kHz , which is 20, periods per second. If you want to check out the limits of your hearing, use this tool to find the upper limits of your perception.
